Year of Release: 1982
Country of Origin: UK, India
Director: Richard Attenborough
Cast: Ben Kingsley, Candice Bergen, Edward Fox, John Gielgud, Trevor Howard, John Mills, Martin Sheen
Plot outline: Biography of Mahatma Gandhi, the lawyer who became the famed leader of the Indian revolts against the British through his philosophy of non-violent protest (IMDb).
In the middle of this epic movie there is a quiet, small scene that helps explain why Gandhi is such a remarkable experience. Mahatma Gandhi, at the height of his power and his fame, stands by the side of a lake with his wife of many years. Together, for the benefit of visitors from the West, they reenact their marriage vows. They do it with solemnity, quiet warmth, and perhaps just a touch of shyness; they are simultaneously demonstrating an aspect of Indian culture and touching on something very personal to them both. At the end of the ceremony, Gandhi says, "We were thirteen at the time." He shrugs. The marriage had been arranged. Gandhi and his wife had not been in love, had not been old enough for love, and yet love had grown between them. But that is not really the point of the scene. The point, I think, comes in the quiet smile with which Gandhi says the words. At that moment we believe that he is fully and truly human, and at that moment, a turning point in the movie, Gandhi declares that it is not only a historical record but a breathing, living document. This is the sort of rare epic movie that spans the decades, that uses the proverbial cast of thousands, and yet follows a human thread from beginning to end: Gandhi is no more overwhelmed by the scope of its production than was Gandhi overwhelmed by all the glory of the British Empire. The movie earns comparison with two classic works by David Lean, Lawrence of Arabia and Doctor Zhivago, in its ability to paint a strong human story on a very large canvas. The movie is a labor of love by Sir Richard Attenborough, who struggled for years to get financing for his huge but "non-commercial" project. Various actors were considered over the years for the all-important title role, but the actor who was finally chosen, Ben Kingsley, makes the role so completely his own that there is a genuine feeling that the spirit of Gandhi is on the screen. Kingsley's performance is powerful without being loud or histrionic; he is almost always quiet, observant, and soft-spoken on the screen, and yet his performance comes across with such might that we realize, afterward, that the sheer moral force of Gandhi must have been behind the words. Apart from all its other qualities, what makes this movie special is that it was obviously made by people who believed in it. (GT)
My judgement: **** out of 4 stars
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